Siegelberg,
Mark
Das zweite Gesicht / The Face of Pearl Harbor
German and English Parallel Text edited
and with an introduction by Tomas Sommadossi
2017
· ISBN 978-3-86205-257-8
· 186 S., kt.· EUR 24,—
E-Book/pdf: 978-3-86205-921-8 · 2018 · EUR 16,99
Hijiya-Kirschnereit, Irmela (ed.): Iaponia Insula. Studien zu Kultur und Gesellschaft Japans (Bd.
33)
Even more than seventy years after
the Second World War, German exile literature continues to wait with
surprises. This is true in particular for the estates of those writers who
fled across less ‘privileged’ routes to remote places such as Shanghai. Mark
Siegelberg (1895–1986) was one of them. The nowadays almost forgotten
Austrian Jewish journalist, novelist and playwright set out on the long
route to East Asia in 1939, after being released from Buchenwald
concentration camp, where he had been interned the previous year. His
Shanghai period lasted until the beginning of December 1941, when he was
evacuated to Australia. His final destination of exile was Melbourne; there
he would live for 27 years before returning to Austria in 1968.
Siegelberg deserves distinction as the only German-language author who ever
addressed the Pearl Harbor attack of December 7th, 1941 as the topic of a
literary work, and, moreover, as one who did so in the immediacy of the
historic events on the Pacific Front. The unique result of this commitment
is the play Das zweite Gesicht/The Face of Pearl Harbor (1942). The piece,
in which Siegelberg displays a complex world political scenario against the
backdrop of the militarized city of Shanghai held in check by the Japanese,
attests to the author’s indignation over the escalation of violence in East
Asia during the turbulent phase leading up to the outbreak of the Pacific
War. While an English translation of the piece appeared in Australia in
1944, supposedly as an anti-Japanese propaganda initiative, the original
text in German is published in this volume for the very first time.
Tomas Sommadossi is postdoctoral scholar in German Studies at Freie
Universität Berlin. His main research interests include modern Austrian
literature, Asian German studies, intermediality and film semiotics. He is
co-editor of Transpacifica, an anthology of German texts reflecting, from
a Middle European perspective, the formation of what has been called “the
Asian American century” (W.I.Cohen), that is, the emergence between 1900 and
1945 of a pivotal geopolitical triangle in the Northern Pacific with the
USA, Japan and China as its vertices. |