Meyer,
Harald / Nishiyama, Takahiro / Zöllner,
Reinhard (eds.)
Media, Cultures, Identities
Aspects of Contents Business in East Asia
2012 · ISBN 978-3-86205-308-7
· 232 S., kt. · EUR 29,—
Japanese Contents
Studies is emerging as a new transdisciplinary field in Japanese and East
Asian Studies. In this volume, contributors from Germany, Hong Kong, Japan
and Korea discuss the political and socioeconomic impacts of the contents
industry in East Asia, transnational film contents and their implications,
and the commodification of culture and history through media in Japan. Among
the topics raised are the legal protection of intellectual property, the
Korean Wave, prewar Chosun cinema, the Manchuria Film Association, romantic
dramas between Japanese men and Chinese women, spatial structures in
Japanese and Chinese films, trends in contemporary media art, literary
models and cinematic and educational touristic marketing strategies,
stereotypes of female characters in the Japanese literary discourse, and
digitalization strategies of historical archives.
Contents:
The worldwide David-versus-Goliath Copyright Debate and Its Potential Impact
on Copyright Law and Practice in China and Japan (Peter GANEA) · The Korean
Wave as a Contact Zone for Post Colonial Encounters (Reiko OGAWA) ·
Transnational Image Building – Remakes of ‘Trendy Dramas’ in South Korea and
Japan (Takahiro NISHIYAMA) · Co-production of Chosun Cinema during the
Colonial Period and Its Cinematic Styles (Chong-Hwa CHUNG) · Film as Means
of ‘Propaganda’ for Multiethnic Manchukuo (Shiro YUKAWA) · Interracial
Romance as a Contents Business in East Asia (Kinnia YAU Shuk-Ting) · The
Inner Resonance of Aesthetics – Spatial Structure in the Films of Suzuki
Seijun and Wong Kar-wai (Kayo ADACHI-RABE) · Trans-media&Trans-nation –
Transnational Contents of Korea in Contemporary Media Art (Joonsung YOON) ·
The Marketing of Heroic Characters of Early Modern Japan – Film Series and
Sites of Educational Tourism (Harald MEYER) · Taiga Means Business – The
Making and Marketing of “Historical Content” Using the Example of 2008’s
Taiga Dorama Atsuhime (Dan TAKAYAMA WICHTER) · Vamp or Angel? A
Comparative Study of Heroines in Japanese Media (Junko SAEKI) · Digital
Archives and Historical Databases – Are They Public or Private? (Detlev
TARANCZEWSKI)
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